Interviews
-
Pain Is a Daily Battle for Big Scarr
Memphis native Big Scarr battles pain on the daily, but his music embraces hardship. He breaks it down for Audiomack.
-
Pushing Afrobeats Into the Stratosphere
DJ Tunez, Wizkid’s DJ since 2015, is using his platform to push Afrobeats into the stratosphere. He breaks down his goals for Audiomack.
-
Meet the Oklahoma Hip-Hop Collective Redefining the State’s Musical Lineage
In March 2020, dozens of artists convened in Tulsa over a long weekend to record an album. This is the story behind the project.
-
Becoming a ‘Citizen of the World’
King Perryy is a ‘Citizen of the World.’ He breaks down the ethos behind his new album for Audiomack.
-
9 Keys to Increasing Fan Engagement on Social Media
Emelie Olsson, Director of Artist Relations for Corite, a crowdfunding platform, shares her advice on how artists can best engage with their fans on social media.
-
A Detailed Look at Record Sampling in 2021
Sample clearance expert Deborah Mannis-Gardner breaks down what artists and fans need to know about the sampling world in 2021.
-
Rising Up From the Internet’s Underground
SoFaygo’s “Knock Knock” is the song of the moment, and he‘s got a Travis Scott co-sign.
-
How Patrick Paige II Is Getting Over His Fear of Failure
Bassist for The Internet, Patrick Paige II, speaks with Audiomack about his sophomore solo album, ‘If I Fail Are We Still Cool?’
-
Meet Fort Lauderdale’s Native Son
The bard of Fort Lauderdale, FCG Heem, speaks with Audiomack about his 2021 project, ‘Neighborhood Poetry.’
-
Becoming a ‘suburban indie rock star’
Snow Ellet makes music reminiscent of the bands that populated late-‘90s alt radio and ‘00s Warped Tour lineups. He breaks down his methods for Audiomack.
-
What Happens After You Go Viral?
The Baltimore rapper struck gold with his spin on a Mariah Carey classic. What happens after you go viral?
-
When Bouncy R&B Marries Rap & Soul
For Audiomack, Los Angeles native Joyce Wrice details the making of her debut album, ‘Overgrown,’ and working with producer D’Mile.