Album Review: Common 'Nobody’s Smiling'

"It's bigger than just hip-hop."

Rap is young man’s game, always churning old waters for the next new thing, always feeding the bones of the previous generation to the next. So it’s no surprise that only a select few manage to build careers that last longer than even a few years, and even fewer manage to maintain any real musical relevance across decades. It wasn’t that long ago that 50 Cent and Nelly were absolute mainstream superstars, and now both are radio kryptonite. Live by the hit single, die by the hit single.

But throughout it all, more than two decades after his debut album, Common has remained an almost shockingly constant presence in hip-hop. I think that’s because, unlike 50 and Nelly, he was never really associated with any particular sound or style; sounds and styles go out of fashion. Instead, like Nas, Common built his career on a foundation of lyricism, which meant that while his highs may not have been as high, they also weren't as low. And sure, there were some valleys—the yarn era, that album we've all forgotten about, that ridiculous beef with Drake—but for the most part, Common's been an almost staggeringly consistent presence in music for years, and then fittingly, his new album Nobody's Smiling, is as good as anything he's done.

These are horribly dark times in Chicago—a city where the random murders of children has become chillingly frequent and so is Nobody's Smiling. From the first notes of the album, the soberly pacing "7 Deadly Sins," Com lets us know that he's got something serious to say, and over the next three minutes, we're given some of the same intricately planned lyricism that made "I Used to Love H.E.R." such a classic. It's a formula that's repeated throughout the project, as Common prowls over the pounding "No Fear," or gets as dark as ever on the title track "Nobody's Smiling." This is the best of what hip-hop can be.



Joony Refuses to Be Complacent

Maryland native Joony is an unstoppable force in hip-hop. He breaks down his journey for Audiomack World.


Tems, Mozzy & Pa Salieu: Best of the Week

Tems, Mozzy, Pa Salieu, and more all had the best new songs on Audiomack this week.


5 New Albums You Need to Hear This Week

Lil Nas X, Tems, Tion Wayne, Injury Reserve, and Unusual Demont all have albums you need this week on Audiomack.

With all this talk praising Common's lyricism I'm starting to worry that I'm sounding like a grumpy old rap head—those darn kids with their trap beats and non-intricate wordplay!!!—and Common was obviously careful to not fall into the old man trap. As we've already written about, it's hard to think of another album from an established artist that so obviously goes out of its way to feature young talent. Vince Staples appears twice, most impressively on "Out on Bond," along with an appearance from local artists Lil Herb and Dreezy, and an array of vocal contributions from the likes of Jhené Aiko, James Fauntleroy and more. The symbolism isn't hard to see; Common's interested in truly being a part of Chicago, not simply criticizing it from the outside.

Like Nas' recently-released, and excellent, Life is Good, it's impossible to talk about how good Nobody's Smiling is without also acknowledging the crucial role No I.D.'s production plays. Once again, I.D. has proven he's not just a beat maker, he's a producer in every sense of the word, and....

...I'm sorry, I have to stop there. Earlier, when I mentioned how frequently children in Chicago die now, I didn't have a specific story in mind, I simply assumed a Google search would turn up a recently murdered child. And I was right, RIP Shamiya Adams. As a father, I can't even imagine the horror, the daily bone grinding stress, of having to fear for your child's life every time they go to a slumber party. I'm fighting tears, the story of Shamiya has been playing over and over in my head as I've been writing this review. And rather than delete this last paragraph and "stick to the music" on Nobody's Smiling, I think that'd actually be doing a disservice to Common and to Chicago. As Chance said, the story of Chicago's epidemic of violence has been almost completely ignored by the rest of the country, and as dope as the album's production values and rhymes schemes may be, the fact that Nobody's Smiling has made me truly feel some shade of the city's darkness is the highest praise I could possibly pay an album.

It's bigger than just hip-hop. Common's seemed to always know that, and it's the reason he's been able to stay consistent throughout the constantly shifting landscape of hip-hop. It'd be reason enough to celebrate, but this is no time to smile.   



J. Cole '4 Your Eyez Only' 1 Listen Album Review

J. Cole's back with the least hip-hop album of his increasingly historic hip-hop career. This is what it sounds like...


Soulja Boy 'iSouljaBoyTellEm' Album Review

"You live by the ringtone, you die by the ringtone. Just ask Mims."


Kanye West 'The Life of Pablo' 1 Listen Album Review

After just one listen, it's clear that while West might be losing his mind, he hasn't lost the ability to make great music.


Rittz 'White Jesus: Revival' Album Review

"When you look like he does, and rap like he does, you’ll never be able to simply blend into the hip-hop crowd."


Big K.R.I.T. 'K.R.I.T. Wuz Here' Album Review

'K.R.I.T. Wuz Here' isn’t a perfect album, but we can now rest assured that the future of Southern hip-hop has at least bright hope.


88-Keys 'The Death of Adam' Album Review

"'The Death Of Adam' is the work of a talented artist just beginning to understand the limits of his capabilities."