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Meet Adrian Daniel, a 'Flawd' Alt-Soul Singer From Brooklyn

Thousands of artists performed at SXSW Music Festival earlier this month. There was one, in particular, who stood out from the crowd.

When Adrian Daniel emerged onstage at Austin’s Dirty Dog Bar during last week’s SXSW festival, it was somewhat of a mismatched sight: a smooth, soulful crooner strutting into the spotlight at a punk rock, heavy metal-oriented venue. Rather than a more appropriate R&B-themed medley to prepare the audience for what they were about to hear, the bar’s standard playlist of screaming guitars and thunderous drums filled the atmosphere, abruptly cutting off once Daniel was on the clock.

In a matter of minutes, though, the room was unmistakably his own, transformed by an authoritative performance of “Face of Eve” from his newly-released album, Flawd. If Daniel felt uncomfortable or out of place making such a forced entrance, he didn’t show it, handling the situation with the grace and confidence of a battle-tested veteran.

“Aw man, this is going to be interesting,” Daniel recalls of his first impression when he walked into the bar. “But you know what; we’ve performed so many places, we’ve done the groundwork. So for us, whether the sound is terrible or not, we’re gonna do our thing. We’re just at that point where we feel like we’re that good at it.”

Behind Daniel's passionate singing lies an unmistakable Brooklyn grit and swagger, evident in the way he carries himself as well as in his music. On the cover art for Flawd, as well as his previous album Disillusions, his face is scratched out in the form of subway-style graffiti, an artistic choice to not only make the music more about the listener than the artist but also as a nod to his hometown roots.

Adrian Daniel Flawd album cover

“That’s a New York thing; if you go to the train station and see the posters, they scratch the faces out, and write all types of stuff,” he says. “I wanted to bring my city to the artwork.”



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Much of Flawd focuses on the theme of betrayal, and how Daniel has had to adjust his strategy in the face of it. Often finding himself as the giver in relationships with friends and family, the alt-soul singer realized how these toxic patterns were affecting his life and decided to make a change.

“I had to go out of my way for people a lot, and I realized that people were taking advantage of that,” he says. “I had to stop and evaluate that, like, ‘Why do I feel the need to have these people around me?’ That’s a flaw right there that I’m not even realizing, and I could put that on other people, but I have to take responsibility for it too because I’m allowing them to do it.”

The album’s intricate production ties into this message as well, as Adrian strived to create a gripping, encompassing soundscape that could hold the listener’s attention. He was more hands-on with the production side of Flawd than on previous records where he held a directorial role, and songs such as “This City” contain the intense sonics that satisfies his requirements. Elsewhere on “Roxanne,” Daniel slowly escalates the moment in the absence of percussion, climbing his vocal register until he reaches a piercing climax near the song's midpoint.

“I wanted it to be a conversational record, with these really powerful sonics,” he says about Flawd. “It really puts you in the mindset of where I’m at. Sometimes when you’re talking like that, and being deep and thought-provoking it can get boring; you have to make it exciting at the same time, so you give the listener an experience that they want to come back to.”

While powerful when played through headphones or speakers, the sonics Daniel speaks of is damn near heart-stopping when performed in the live setting alongside his band. Getting to that point required trial-and-error, but hitting the stage with a DJ and a pre-recorded backing track was never an option for an artist who was determined to bring the full intensity from the studio onto the stage.

“I’m so particular about sounds, and my band has been with me for a minute,” Daniel says. “They’re a part of this; they actually made 'Deadly Attraction' from the album. It’s only right that they’d be performing with me because I want to bring that same energy from when I made the record. That’s so important to me.”

Closing out his SXSW showcase with “Deadly Attraction,” Daniel and his band fulfilled their mission, shaking the air one final time with their massive wall of sound. A few moments later, the stage would return to its empty state while angry, moshing metal would again set the tone of the venue, snapping the audience back to the reality of the Dirty Dog after a brief excursion to another land. 

Although Adrian Daniel's showcase felt far too brief, sometimes all it takes is a glimmer of greatness for a star to be born; especially when that star is bright enough to shine at the opposite end of the musical solar system. 


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