I'm not a religious man, but there are certain things that make me want to sing “Hallelujah,” and a brand new record from Jarren Benton is one of 'em. Seven days after dazzling Boothgoers with Lost Kings, a joint that found him departing from his usual off-the-wall style to offer some surprisingly intimate thoughts on the topic of race, the ATL phenom takes us to church on the grand finale of his #BlackOctober series. Frequent collaborator Kato mans the boards on this larger-than-life trunk banger, crafting a powerful trap groove to accompany the headliner and Funk Volume labelmate SwizZz's blistering flows. While this marks the end of Benton's digital series, fans can, of course, keep it locked for the latest news and tunes from the longtime reader fave.
Taking Control of Your Intellectual Property with Opposition
We speak with Opposition about the finer details of rights management.