With all due respect to Hov, Beyoncé is a beast.
'KIDS SEE GHOSTS' sounds like music moving forward.
Smith's 'Lost & Found' is not perfect, but its imperfections are captivating.
Every street corner in Tierra Whack’s world leads to a left turn.
Black Thought's consistency is admirable, but in form, it makes the music a bit complacent.
Paige II reminds us that sometimes the worst pain can bring out the best art.
‘JP3’ is grand because Junglepussy makes it so.
With 'Good Thing,' Leon Bridges is moving soul forward with a bellied shout.
Slim Jxmmi is like Bruh-man from the fifth floor; you can’t ignore him once he enters.
These aren’t Rae Sremmurd songs with Slim Jxmmi cut off.
In his quest for the crown, Royce has found himself.
"The Post Malone who appears on 'beerbongs & bentleys' is someone I’m struggling to remember."
“Fuck it, I’m gorgeous.”
'Dirty Computer' is Monáe's definitive, crazy, could-be classic, album.
Misch’s Dilla and early boom bap influences are on full display.
'Invasion of Privacy' is fun, funny, and fulfilling.