Albums

The late Brooklyn rapper’s posthumous debut is a statement piece.

IDK understands less can be more.

Taylor’s third studio album, ‘The Album,’ is an honest work of art.

The initial shock of his viral hit “Rascal” may have worn off, but RMR is no one-hit wonder.

“...a shotgun blast to the face.”

“...brass knuckle lyricism.”

Young M.A’s ‘Red Flu’ is an ideal offering from the Brooklyn rap star.

Future’s ‘High Off Life’ is a familiar journey through a terrain of toxic lust, sleepless paranoia, wealthy boasts, and deep-seated trauma.

Polo G, for all the demons he’s faced on the streets and in his mind, is one step closer to securing his legacy.

Drake delivers a fan service release during quarantine, allowing him to clear out his vault of throwaways, loosies, and leaks.

No rankings, all love.

‘BLAME IT ON BABY’ is an album that says, “I’m on the way,” not, “I have arrived.”

“A resounding success.”

“In the age of streaming and playlists, ‘Pray For Paris’ further solidifies Westside Gunn as an album artist.”

One listen and you won’t forget Kenny Mason.

“Rod Wave is like if the song ‘Soul Survivor’ by Akon and Young Jeezy came to life and joined a choir.”

“During a period of uncomfortable change, Thundercat’s ‘It Is What It Is’ is right on time.”

Conway The Machine’s injuries and paranoia are treated as constants. They’re not his crosses to bear; they’re fueling his fire.

Every Knxwledge project, remix, and loosie has led to this moment.

“Well, that was indeed a PARTYNEXTDOOR album.”

Five years later, we look back at ‘I Don’t Like Shit, I Don’t Go Outside,’ the album that helped Earl Sweatshirt see through the dark.

“Suffice it to say, I’m disoriented.”

The Weeknd delivered more shiny, danceable pop music with his signature moody edge.

Jay Electronica’s always got one more trick up his sleeve.