Albums

'IGOR' is André 3000's 'The Love Below' on spiritual acid.

Megan Thee Stallion came here to motherfucking rap.

Jamila Woods’ ‘Legacy! Legacy!’ relives the past as an integral part of her present.

"You’ll find yourself drawn into the Emotional Oranges universe."

Meaningful art will always inspire a new generation to carry on the hopeful and universal spirit of music.

Listening to Logic’s 'Confessions of a Dangerous' Mind provides a puzzling sensation.

Young Nudy and Pi'erre Bourne turn in an effort exemplifying their collective proficiencies.

Please keep your hands, arms, feet, and legs inside the article at all times, thank you.

‘Shea Butter Baby’ is a triumph in that it showcases all the ways R&B is adapting to a fresh wave of sorrow.

Man, someone give Q a hug.

This was the most satisfying tasting menu she could have offered us.

In the face of great loss, rapper Daniel Dumile perfected a formula.

Those jumbo-sized Crayola boxes wish they had this much color.

We spoke with seven highly respected individuals in the music journalism space to hear their first impressions of 'Illmatic.'

Pivot Gang’s ‘You Can’t Sit With Us’ is pure fun and kicking back with the homies.

"When he's in his zone, there’s very little wrong Anderson. Paak can do—and he does no wrong on 'Ventura.'"

Omar Apollo chooses to be a new kind of pop star on 'Friends.'

"Nothing sounds obviously recent or painfully dated; time could never taint the vision of love and infinity on 'The Loop.'"

'Blonde' is a broken album, to be sure, but it is not one encumbered by pain.

“That was f**king amazing, and I did it, I made it out alive.”

Take a deep breath.

The essence of 'Piñata' is found beyond Freddie Gibbs' seemingly endless tales of cocaine-slanging and gangbanging.

There’s omnipresent chaos that ebbs and flows throughout 'My Krazy Life.'

Maxo’s vocals are clear, incisive stabs of reflective clairvoyance.