Opinion

‘Heavy Is the Head’ will only serve to solidify Stormzy’s status as a domestic superstar and increase his already aggrandizing global profile.

KAYTRANADA’s sophomore album is preoccupied with mid-tempo grooves that settle in the bones and coax wall-huggers to the dance floor.

Man, these albums let us down.

Here are the 2020 albums the DJBooth staff cannot wait to (hopefully) get in 2020.

Ouch.

These albums aren’t good.

“You can't miss what you ain't had, well I can.”

“Unlike the musicians who make them, a song doesn’t have a lifespan.”

From the kings of rock to the patron saints of trap, here are the 15 best hip-hop entrance themes in wrestling history.

To avoid this inconvenience, we are told, “just quit.” That’s the scariest part.

Although Roddy Ricch‘s rap-singing style is of-the-moment, there’s an identity to his sound on ‘Please Excuse Me For Being Antisocial.’

We break down J. Cole‘s discography through the lens of the four Greek words for love.

50 is the new 30.

The crime of ownership is not intentional, just immature.

“Maybe I was naïve, but in 2009, it felt like artist growth was purely organic and fan-driven.”

If there is a running theme throughout ‘Marcielago,’ it’s a yearning for respect.

Whatever happened to the juvenile spitters of the early-to-mid-’90s?

When good things come to an end, what we learn in absence may resonate greater than the sum of what we were presented.

Kendrick Lamar may not be an actor by trade, but cinema exists in the language of his discography.

The Buffalo trio’s major-label debut is meat-and-potatoes rap served with a side of grit on a Balenciaga placemat.

With ‘Some Rap Songs,’ rapper Earl Sweatshirt figured out how to gather an audience on his own terms.

From SCH and Dinos to 13 Block and Isha, we’ve compiled the best French hip-hop releases for November.

Frank Ocean’s “Songs 4 Women” teaches us never to make music for love’s sake.

‘Netflix & Deal’ is as indulgent as a bucket of movie theater popcorn with just a little too much butter.